Zara Larsson Is Pop's Poster Girl For Love

By Erica Russell


Love is the “röd tråd” — literally, “red thread,” a Swedish expression meaning throughline — on Zara Larsson’s new album. Whether it’s toxic infatuation, heartache, self-love, or the bliss of burgeoning romance, love serves because the thematic connective tissue at the heart of Poster Girl, the Swedish singer’s sophomore full-length record, out today (March 5).


“Love is this universal thing that people desire to listen to and talk about and just surround themselves with, which is fully understandable,” Larsson, 23, tells MTV News. “It's something most people can relate to emotionally. That's what music does; it’s why we put on sad songs whenever we're sad. You may think it doesn't make sense, because it makes us even sadder, nevertheless by listening to a sad song, at least for me, I feel understood, like someone else out there really is really sad, too.”


The album opens with what might be a lyrical manifesto, leaning into Larsson’s love obsession with reckless abandon: “Never thought I would love again / Here I am lost in Love Me Land.”  “I don't think I'm never not in love,” she says, admitting that she habitually has a crush on someone along with quite likes being the object of someone else’s affection.


Earning adoration has never been much of a challenge for the multi-talented performer. At age 14, Larsson was signed to her first record label in Sweden, just four years soon after enchanting the public with her powerful, crystalline voice on Talang, a Swedish TV talent show. (She was only 10 once she won the 2008 season.) Not long right after, she signed a contract with Epic Records In the
U.S.. In 2017, she released what she considers her debut album, So Good, which included her hit tropical house-influenced single “Lush Life” and the sweeping Tidy Bandit teamwork “Symphony.”


The Zara Larsson who debuted internationally nearly half a decade ago, any time as soon as she was “still super young” along with a little bit unsure of herself, is very different from the confident pop star she is today. “Because I had a large label backing me, they had the cash for stylists, choreographers, directors, songwriters. And it’s not that they were attempting to change me, although for a really long time I felt like I was working for those people. I'm a people pleaser, so I just wanted each person to be happy. … I had to remind myself that if I'd like to be authentic, I need to voice my suggestions. And I have many opinions.”


Another thing that’s changed for Larsson is how she sees herself as an artist. She reveals that if she first began out, she wasn’t “really a songwriting girl, sitting on [her] bed writing poems or lyrics on [her] guitar.” As an alternative, she focused on mastering her persona and presence as an entertainer: “I would stand in front of my resemble and sing into a fake mic and tell my fake crowd, ‘I can't hear you! Sing it louder!’”


The older she gets, yet, the more Larsson wants to be involved with every facet of her music, hence her songwriting credits on early Poster Girl tracks like “Love Me Land” and “Look What You’ve Done.” She re-recorded nearly every song on the record “two, three, even four or five times” just to get the sound right. “I wanted it to be as good as possible, I’m never really satisfied,” she says. While some lyrics came conveniently, tough discourse was sparked while in the writing session for “What Happens Here.”


The song about female sexual liberation marks one of the more politically charged moments on the album, as it tackles the sexist societal double standards ladies and gentlemen face as soon as it comes to being sexually mobile, and also because the loaded language embedded in concepts like “giving yourself away.” “I feel like ladies think that they're giving something up if they have sex,” Larsson says. “It’s like, ‘I'm giving you my pussy,’ or ‘I'm letting you have [this segment of me],’ and to me, that doesn’t make sense because sex is something that you both participate in. It's not something that someone can [consensually] take from you.”


The song was inspired by an experience Larsson had with her first-ever boyfriend, back any time if she was in school. He instructed her he wouldn’t tell anyone if they had sex, prompting confusion.  “I get that he was attempting to be nice, although the core of that is a problem, because whichever I do, I do because I'd like to do it. If I’m a ‘ho,’ then you’re a ‘ho,’ because we just did the same thing. Although as I got older, I realized that the world doesn't look at it like that. I don’t agree with that.”


Larsson’s feminist perspective (the singer is enthusiastic and outspoken about women’s rights, along with LGBTQIA+ issues and racial injustice) is splashed across the artwork for Poster Girl. The cover sees Larsson lounging dreamily in a neon-pink bedroom, a glamorous poster of herself pinned up on the wall over her shoulder. It’s a poignant statement of both self-actualization and self-love — a young woman embracing her own power, success, and destiny, in spite of our culture’s insistence that women’s self-admiration is vain or vapid.


Poster Girl was technically finished at the starting of 2020, nevertheless the pandemic caused Larsson and her team to hold off releasing the record, optimistically thinking things could be “back to normal” by last summer. Larsson fine-tuned to operating remotely and with a much smaller crew in tow, shooting a more “minimalistic” treatment of the “Love Me Land” music video with Vivi Huuska, a director who worked virtually from Finland. (“She looked like Plankton’s spouse, Karen, from SpongeBob — just a little bit face on an iPad,” Larsson shares.)


Like several people, Larsson grappled with the stillness and isolation of quarantine, a struggle amplified by her usually mobile, travel-heavy schedule as an artist. “I just sat on my couch for all of 2020. It was really cozy the initial starting week although right after a If I was like, ‘What's my purpose?’ I was a little bit lost in the sauce.” That aimlessness made Larsson realize just how inseparable she’d become with her identity as a musician: “I think a lot of people who work in entertainment went through that. You coworker yourself with your work. I thought I was going to be creative and write songs and begin producing in quarantine, nevertheless I didn't do that. And then I felt guilty about not doing it.” Larsson’s sister, Hanna, was eventually able to drag the singer out of bed. “She’d be like, ‘Go on a walk!’ I didn’t have anything to do and I really needed a routine.”


Larsson studied at the Royal Swedish Ballet School in Stockholm as soon as she was younger, an experience she credits with helping her develop a sense of discipline. “When you begin off doing ballet by the bar, you do the exact same exercises over and over and over again. The only thing that really changes is you add some additional steps. Any time you’re just beginning off, you can’t do ‘Swan Lake’ right away. I learned that you gotta be disciplined so you gotta do the repetitions to be good at something.”


Her command of dance school-learned “body control” is on full display in the music video for latest single “All About Love.” In the clip, Larsson and her real-life boyfriend, Swedish-American dancer Lamin Holmén, perform a mesmerizing dance as Larsson sings about not wanting to ruin the moment by talking about their feelings. The couple’s chemistry is kinetic, bursting offscreen through fancy choreography because the pair entwine and move around each other, ebbing and flowing between moments of tender intimacy and explosive, fiery passion — a visual metaphor, no doubt, for the butterflies-in-your-stomach stage of falling in love.


“I love to dance at my shows, nevertheless right now we don't have shows,” she says. “So I was like, ‘You know what? I'll put [dance] in my ‘Love Me Land’ and ‘Talk About Love’ videos, so people can still visualize that.” Above all else, Larsson considers herself a performer and, with a handful of European shows already scheduled for the summer months ahead, she’s looking forward to getting onstage and in front of her fans once again. In the meantime, there’s Poster Girl. “Even if only two people purchased [my new] album, I'd be like, ‘Good for you,’ because it’s an excellent fucking album. I can't believe I've Been in the industry this long and I'm just coming out with my second album, yet I’m really overjoyed of it.”