Vincint's Queer Eye Anthem, Chloe X Halle's Clubby Call, And More Songs We Love

The search for the ever-elusive "bop" is challenging. Playlists and streaming-service suggestions can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?


Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and could contribute anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, although expect several oldies nevertheless goodies) every once in a while, also. And this week, in honor of June being Black Music Month, we're continuing to shine the spotlight on Black musicians making art that feels vital to this moment. Some tracks have just been released; some are old favorites we're revisiting. Although all of it matters.


Get ready: The Bop Shop is currently open for business.

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  Vincint: “Be Me”
  
  
  
  
  
  What do get once you pair Vincint’s powerhouse vocals with a promo for Queer Eye? A feel-good pop song for the ages, apparently. “Be Me” sees the queer singer-songwriter lend his R&B-infused sound to Netflix’s reboot of the beloved makeover show in recent a teaser for Season 5, which hit the streaming service earlier this month. “It's so clear to be able to see / I was waiting on me to be me,” Vincint belts in a spirited final chorus layered over melismatic high notes. As if we required convincing to binge-watch the Fab Five in action. —Sam Manzella
  
  
  
  
  



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  Chloe x Halle: “Ungodly Hour”
  
  
  https://www.Youtube.Com/watch?V=UO-oXdQ-b7I
  
  
  
  It’s hard to love and be loved once you’re at your worst, an ethos at the core of Chloe x Halle’s third album, Ungodly Hour. Nevertheless on the album’s Disclosure-produced title track, the duo doesn’t seem also pressed about you getting yourself with each other. “You’re hesitant, wish you can give me more,” they sigh breezily over a groovy electronic concoction. “When you determine you like yourself, holler at me.” Whether or not you actually follow through, that’s on you. —Terron Moore
  
  
  
  
  



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  Armand Hammer ft. Nosaj: “Leopards”
  
  
  
  
  
  The anxious cymbal taps that start “Leopards” functions like a lit fuse. Before long, this rumbling cut from New York rap duo Armand Hammer totally opens up. Yet that’s the novel part: It never totally explodes. As a substitute, the guitar riff-grounded “Leopards” settles in on billy woods’s growls, Elucid’s verbal dexterity, and Nosaj’s rallying hook. It is decidedly, to borrow a phrase, calm like a bomb. —Patrick Hosken
  
  
  
  
  



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  Michael Love Michael: “JFC”
  
  
  
  
  
  "We are owed a unpayable debt,” the New York-based artist Michael Love Michael wrote in the announcement for their latest track “JFC,” which doubled as a fiery call to arms. “We owe it only to ourselves to claim our freedom." Though the singer’s recent releases “6 Jaguars” and “Rope,” marked by ambient vocals and plush ‘80s synths, have habitually filtered political topics through decadent pop production, “JFC” finds Michael plainly irritated, and rightfully so. “I can’t believe all of the ways that a wonderful white lie / Wanna ruin how I live my best Black life,” they voice in a reverberating whisper that builds and bites over an icy, trap beat; in this “anthem for collective Black liberation,” Michael has noticed their power in protest, and the courage to mention “I don’t owe you fucking anything.” —Coco Romack
  
  
  
  
  



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  Kiana Ledé: “Dear Mr. President”
  
  
  https://www.Youtube.Com/watch?V=QSneatadSJk
  
  
  
  Music can transcend time. That notion could not be proved more true than with Kiana Ledé’s cover of “Dear Mr. President,” originally performed by P!Nk in 2006. Ledè puts a contemporary spin on the otherwise acoustically performed song, however keeps the emotional call to action correctly intact. Her heartbreaking vocals function alongside a similarly heartbreaking visual, curated by Ledé herself, of images and video from the continuous Black Lives Matter protests. “Dear Mr. President” not only involves to be heard, yet requires to be seen. It is truly a song of the revolution, with 100 percent of the net proceeds donated to the NAACP. —Sarina Bhutan
  
  
  
  
  



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  Tituss Burgess: “Dance M.F.”
  
  
  https://youtu.Be/3mIkamy6dxg
  
  
  
  Tituss Burgess serves some serious public access realness in the individual "Pride Edition" music video for his single, "Dance M.F." Yes, it's easy to get distracted by Tituss's eye catching wigs and the crop-top cuties dancing across the screen, although the pulsing dance track is filled with some insightful life lessons. "No one is paying attention, no one cares what you think," the Emmy-nominated actor tells his listeners, "while you've been obsessing over what the world thinks life has been passing you by, life went out for drinks." Who needs Super Soul Sunday as soon as you have Tituss spouting this soul-searching sermon disguised as a dance-floor filler? And the song features vocals from Imani Coppola! Can we get an amen? —Chris Rudolph
  
  
  
  
  



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  Khruangbin: “Pelota”
  
  
  https://www.Youtube.Com/watch?V=UULIfPLMuDw
  
  
  
  A poly-genre Houston musical group with mostly instrumental compositions named for the Thai word for “airplane” — that’s Khruangbin, a trio that defies any sort of established description. Nevertheless thanks to the funk-rooted grooves of drummer Donald “DJ” Johnson, excavating bass courtesy of Laura Lee, and guitarist Mark Speer’s shape-shifting guitar, the webbed patchwork becomes something divine. “I don’t really get it,” guitarist Mark Speer said recently of his band’s success, yet you could. Throw on “Pelota” and visualize what you find. —Patrick Hosken
  
  
  
  
  



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  Ravyn Lenae: “Rewind”
  
  
  https://youtu.Be/HJO7SDKMvW0
  
  
  
  For the last four seasons, Insecure has introduced us to some exhilarating new music artists across numerous genres – so good that it has evolved into Raedio, a label founded by Issa Rae as a joint venture with Atlantic Records. How can you not trust a production soundtrack so serious about inspiring and spotlighting artists for four seasons? Chicago native Ravyn Lenae debuted the song titled “Rewind” this season, and nevertheless she's been featured while in other seasons of Insecure, this neo-soul cut with a dash of bop deserves to be on all summer playlists. —Sunni Valentine
  
  
  
  
  



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  Aya Nakamura feat. Maluma: “Djadja [Remix]”
  
  
  
  
  
  If ever there were a time whenever we’re in need of a dance break, it could be right now. Enter Malian-born French pop singer Aya Nakamura with a revamped version of her 2018 hit “Djadja” from her second studio album, Nakamura. The remix features Maluma, and the pair-up is sheer dance-worthy bliss. The two go back and forth in their native tongues of French and Spanish, weaving a tale of emotion, deceit, and confusion that’s energized by an intoxicating electric beat. Like the original, the remix is about advocating for yourself without remorse and telling it how it is. You could might not speak French or Spanish, nevertheless press play and your hips are sure to speak for you. —Virginia Lowman