St. Vincent Performs In A Crystal Ball In Dreamy 'The Melting Of The Sun' Music Video

Any time St. Vincent debuted her newest track, “The Melting of the Sun,” on Saturday Night Live on April 3, she sat the portrait of a ‘70s superstar in a heavy fur coat along with a glittering white and pink dress with her electric guitar in hand. Though it was visually gorgeous, there was a tender, haunting excellent to the efficiency that lay simmering just beneath its surface. A mix of aesthetics and tragedy simultaneously.


That contradiction takes center stage in song's accompanying music video, which was released on Wednesday (April 7). Part of the 38-year-old singer/songwriter's upcoming album Daddy's Home, which will be released on May 14, the clip instantly fits in well with the album’s already clear aesthetic; it’s a boldly colored, ‘70s-inspired happy-go-lucky dreamscape  … or so it first appears.


Co-directed by St. Vincent and Bill Benz, the music video feels instantly reminiscent of Schoolhouse Rock! as it blends old-school animation, with its brightly-hued backgrounds and beautiful character design, and live efficiency with each other. Though it may initially bring back waves of childhood nostalgia, the video's storyline slowly unveils a much darker side of life that's never been seen before in any beloved old cartoons.


As a substitute, it tells the story of the categorize of heroines referenced in the song — including Marilyn Monroe, Nina Simone, and Joni Mitchell — and compares the stories of gifted female artists and the underlying pain they experienced in the heyday of their entertainment careers to the end of the world.





"It's just the melting of the sun / I wanna watch you watch it burn,” she sings. “We habitually knew this day would come / it's just the melting of the sun.”


In March, St. Vincent told Rolling Stone that the single was her 'love letter' to the female artists, especially the ones said. "People attempted to quiet them once they were saying something that was righteous or true or hard to hear,” she mentioned. “[That song] in particular is a love letter to strong, perfect female artists. Each of those survived in an environment that was in a lot of ways hostile to them.”