Sad13's Power-Pop Memories, Anthony Ramos's Feel-Good Exhale, And More Songs We Love

Sad13's Power-Pop Memories, Anthony Ramos's Feel-Good Exhale, And More Songs We Love




The search for the ever-elusive "bop" is hard. Playlists and streaming-service suggestions can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?


Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and could contribute anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, nevertheless expect several oldies yet goodies) every once in a while, also. Get ready: The Bop Shop is currently open for business.





  • Sad13: “Market Hotel”



    “I’m just an adult dirtbag,” Sadie Dupuis sings on “Market Hotel,” putting a new spin on a beloved power-pop touchstone. It’s nevertheless another hallmark indoor a reference-rich musing on Brooklyn shows, sexism, gigging up until you perish, and why all those elements mingle indoor memory. Because the closer to her fantastic new album Haunted Painting, “Market Hotel” punctuates the themes that likewise run while in the song cycle. It’s also an incredibly potent two-minute firebomb, with the prototypically perfect lyrical turns of phrase that makes Dupuis such a force: “I’m playing an adult / You’re just playing yourself.” —Patrick Hosken






  • The Mountain Goats: “Get Famous”



    Singer-songwriter John Darnielle says we “wouldn’t even believe” how much fun The Mountain Goats had writing and recording “Get Famous,” nevertheless I hear it loud and clear. The upbeat new single tackles the siren call of fame with aspects cleverness. “You’ve been waiting for this ever since you were young / Be cautious not to choke on your tongue,” Darnielle advises over a frolicking brass section. He would know. “Get Famous” is the second single off of Getting Into Knives, the prolific folk-rocker’s forthcoming studio album, and his 19th Because the Mountain Goats. —Sam Manzella






  • Anthony Ramos: “Stop”



    From stage to screen to his own singing career, Anthony Ramos has already proven himself as a multifaceted and multi-talented performer. He leans into his pop sensibilities and peels back another layer with new single “Stop.” The feel-good track’s message of slowing down and appreciating life’s smaller moments might be well trodden, however Ramos’s soulful delivery keeps it feeling fresh. “Sometimes I wish my life was like a photograph / Double tap the good ones and just photoshop the bad,” he sings before resolving to “stop” – both metaphorically and literally, taking a beat going into the chorus. The video follows Brooklynite Anthony Payne, who lost his job while in the pandemic and started giving outside haircuts in the city to support the Black Lives Matter movement. Ramos himself even gets under the clippers, taking a moment, and giving us all a breath of fresh air. —Carson Mlnarik






  • Travis Scott ft. Young Thug & M.I.A.: "Franchise"



    Seeing "Travis Scott" and "Franchise" with each other right now immediately conjures associations with McDonald's, nevertheless rapidly immediately after pushing play on his latest — a teamwork with Young Thug and M.I.A. — there's a callback to Dem Franchize Boyz's "White Tee," and the title takes on new significance. Brawny and speckled with whimsy from its visitors ("I'm higher than the plane / I'm where the Skypes be," raps Thug; "Kawasaki, catch a fish, Sushi, maki, livin' life," raps M.I.A.), Scott's latest is further proof of his comfortable spot at the best. —Patrick Hosken






  • Elliot Jones: “Do it Again”



    “Do it Again” is an end-of-summer daydream that puts me in the mood to, well, make mistakes. Can I squeeze in one last summer fling before the city fully cools down? Indie-pop sweetheart Elliot Jones appears to think so. His new single is a hazy musing on the question, is the high worth the low? It’s a self-aware conclusion as he sings, “Why do I do this? Falling in love with my own lies / Know the truth, yet I’m so clueless.” Without consideration, his dreamy vocals help put everything in focus and remind us that there’s only one way to learn, and that’s just to “Do it Again.” —Daniel Head






  • Mike Sabath: "Good Energy"



    a number of years prior, producer Mike Sabath was a teenage budding sonic maestro, willing to prepare his mark in the pop realm. Since then, he's written songs for each person from Selena Gomez to Lizzo — and right now he's bringing "Good Energy" to a solo career. His debut single vibrates with all of the kinetics of party music, nostalgic and ethereal as chillwave with horn stabs and soulful vocals lifted right from the pop charts. Treat yourself to some of his energy. —Patrick Hosken






  • Chappell Roan: “Pink Pony Club”



    Every right now and then, I get this itch to drop everything, change my hair, and become a dancing gay Brooklyn bartender à la Coyote Ugly, never mind the fact that I can’t dance. Thought I might be alone in my disputatious daydreams up until I heard Chappell Roan’s “Pink Pony Club.” The rising pop starlet has been charting her takeover since signing with Atlantic Records as a teen, and the dusty although decadent single is a promising sign of what’s to come. In a rhinestone cowboy hat, Roan begins off slow with visions of “a special place where gentlemen and females can all be queens each and every day,” letting the soft keys give way to a triumphant electronic chorus reminiscent of Kacey Musgraves’s “High Horse.” Her voice reads hallowed because the halls she sings about, and there’s a palpable electricity in its glitzy video, as she gives a stadium-ready efficiency to an audience of bored barflies. Add in a number of cameos from RuPaul's Drag Race legends like Meatball and Porkchop, and she’s got me already booking my ticket to L.A. —Carson Mlnarik






  • Carla Morrison: "Ansiedad"



    Even in case you don't speak Spanish, Mexican pop vocalist Carla Morrison's face tells everything you have to know in her striking new video for "Ansiedad" ("Anxiety," in English. As she navigates the weight of mental-health struggles that saw her take a step away from the spotlight for the last few years — personified by her choreo collaborators — Morrison also resounds deeply with her voice, a magnetic musical instrument conveying both longing and hard-earned hope. —Patrick Hosken













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