Queen Key Needs To Be Heard, Period
By Mark Braboy
On
Eat My Pussy Again, the latest allocating from Chicago's
Queen Key, the rising rapper mirrors Vera, the notorious brothel madam in 1989 Eddie Murphy comedy
Harlem Nights. Both are blunt, aggressive, accommodating, brutally truthful, and hilarious AF. Accordingly,
Eat My Pussy Again — the follow-up to last year's
Eat My Pussy, of course — is a dynamic project that indicates Queen Key at her rawest and most personalized as a rapper and, more importantly, as a woman.
Queen Key, place on Earth Ke'Asha McClure, was one of seven children (five biological and two stepchildren) raised by a sole mother. She bounced around across the Midwest from Chicago's Wild 100s and South Suburbs, attending the infamous Homewood Flossmoor High School, a majority-Black school where
a video and photos of white students wearing
blackface went viral earlier this year, leading to
a huge walkout by students and young organizers. She headed to Indiana and eventually back to the city's North side. As she saw how class and access plays such an enormous role on the what sort of education, food, organic environment, job possibilities, and cultural and social upbringing a Black child is allowed to have, it influenced her outlook on the Windy City.
"Chicago is sort of set up [that way] on purpose just because n----s ain't got cash like that, as instead of the better neighborhoods I was living in, which had better schools, better everything," she explained. Despite having few resources, the 22-year-old rapper noticed an escape in a household filled with fun, imagination, and creativity. She grew up watching her sister writing plays whenever she made music with her brother on his keyboard, rapping for fun over old cassette tapes.
At 17, Key was kicked out of her residence over beef with her abusive stepfather; that spilled over into her relationship with her mother (who divorced him in 2015). Life and divine intervention was spelling out her destiny as she focused on writing and developing a relationship with God. A string of mixtapes —
Beauty in a Beast and the
Your Highness series — followed, as well as per year later, her former makeup artist and hair stylist linked her with Machine Entertainment co-founder Mikkey Halsted. The rest was history.
Since then, her profile both an artist along with a humanitarian has grown, not only because keeps it up and continues to deliver exhilarating and empowering tracks, nevertheless also through Queen's Camp, the initiative to support young females in Chicago she founded. "I want everybody to hear me," she mentioned. "I need to be heard, period."
MTV News spoke with Queen Key about her new album, supporting and loving her female peers loudly, empowering females in her city, how she handles criticism, racism, and more.
MTV News: You attended Homewood Flossmoor in the South Suburbs of Chicago, correct?
Queen Key: Yeah, they're wilding the fuck out now. That shit wasn't going on If I was there. I mean, it was racism going on in the sense of white privilege. You as a Black student, [you're assumed as] bad or whichever as instead of a white kid. It was racism in that sense, nevertheless motherfuckers wasn't painting themselves in blackface and all that crazy shit.
MTV News: Based on the reports of the incident and the demonstrations, the attitudes towards Black and white students don't seem to have changed. What was your reaction whenever you heard about it?
Queen Key: I couldn't fucking believe it. That shit pissed me off. They required to be expelled, all types of shit. Their asses have to apologize. If they were Black kids, they would have got expelled over some little shit like stealing a pencil.
MTV News: do you know diversity within itself is adequate to address or maybe solve racism?
Queen Key: [
laughs] The only thing that can stop racism is motherfuckers not being racist. [
laughs] No matter what anybody says or what anybody does, as long as there's white people who don't like Black people, there will constantly be racism no matter what because that's just the hate they have in their hearts.
MTV News: What was the hardest song for you to write on the Eat My Pussy Again project?
Queen Key: I wouldn't mention there was any song that was hard to write, however I would mention that the hardest for me to release was maybe my "Ms. Understood" song because it's super different. I don't actually think I talk about head [
laughs].
What's crazy is that I had already made the starting of that throughout my sophomore year, the poem in the starting. I had already done [the verses] throughout the summer of 2016 once [it was originally] a remix of
J. Cole's "Cole Summer" and I never released it. I sort of was just adding shit together.
MTV News: Is there a meaning or message with the title Eat My Pussy?
Queen Key: It's a statement. It's powerful. I'm saying, "Eat my pussy." That's saying, "Stop fucking playing with me, females can do it also, we're here." Ladies are here and we have advice plus a voice and shit that we want and shit that we need. Eat my pussy!
The empty space that I seen was girls overly flattering themselves. Yeah, we got female rappers who made nasty songs, however I don't think anyone is coming how I'm coming because I ensure that females get the upper hand in each fucking song that I make. And I made sure that I made that shit my lifestyle.
MTV News: Why is it critical for you to support females loudly?
Queen Key: It's sort of how I am Once I feel a way about something. If I feel any kind of way about it, you will know. No one will have a question mark in their brain about me. I love music and love While I just visualize raw shit, and it's critical to show that you don't have to be insecure or weird. I do not even think that was even a thing because just how I grew up. It's really not hard for me at all to support another woman rapper because that's almost organic. I do not even understand why some can't do that [
laughs].
MTV News: What would you mention to those who criticize you and other females for your overtly sexual lyrics and believes that you all are promoting "being a ho?"
Queen Key: I don't give a fuck! [
laughs] I'm not worried about nobody calling me no ho because none of those can fuck me — damn near can't even eat my pussy. I don't be worried about that shit because that ain't shit yet some motherfucking words to me. Honestly, people have been hating on me all my life. I had titties since I was 12, so it's routinely been hella rumors about me, people thinking I was fucking young as hell and that wasn't even the case. So people habitually weirdly hated on me and just mentioned shit about me because I really don't give a fuck. I get a kick out of it.
MTV News: How did your Queen's Camp initiative begin and what made you hope to give back to the young ladies of Chicago?
Queen Key: I was sort of figuring out that music was my purpose and in group for it to work out, the full plan was for me to do some kind of assisting. I routinely knew I was going to do something; I just didn't know what. Around sometime last year, this guy was telling me that I should take some my fans out, take them on a shopping spree, hang out with me. And I just branched off that idea and wanted to do more [than that] and make it forever as an alternative opposed to [having it for] one day or only one fan. I wanted it to be [about] girl power.
I just hope to keep going and be a positive help in their life because people don't think that I'm positive for the most part. I just hope to show [the girls] that y'all can mention what y'all mention and do what you do.
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