K-Pop Group NCT 127 Break All The Rules With Latest Single 'Simon Says'
NCT 127 are anything however orthodox. The sort have been releasing some of the most sonically unique and confident songs in K-Pop since the unit's loud, frenetic introduction with "Fire Truck" in 2016. Although with the release of their latest single "Simon Says," off their repackaged album
Regulate (
out now), NCT 127 deliver a track that feels more reminiscent of the hypnotic, trap vibe of NCT's debut, "
The 7th Sense."
Bass-heavy beats, layered production, and charismatic swagger have become hallmarks of NCT 127's discography, and "Simon Says" has all of that in spades. It's a commanding hip-hop track that opens with a customary Maori
haka war cry — a challenge to opponents — and ends with rapper Mark casually singing "we don't pay no attention." The striking visual and decorative choreography are just as intimidating:
And while the 10-member categorize lean heavily toward hip-hop — led by magnetic rappers and dynamic duo Taeyong and Mark — it wouldn't be a genuine NCT comeback without a powerful showing from the vocal line — particularly Taeil and Haechan, who truly get to flex on the bridge. (I'm breathless just thinking about Taeil hitting that extended
high note.)
"Simon Says" is the lead single off
Regulate, a repackage of their first full-length album,
Regular-Irregular. Lyrically, the song stays true to the album's concept, which flows between two states:
reality and fantasy. On "Simon Says," NCT 127 ask listeners to embrace their authentic selves as a substitute opposed to doing whichever society tells them to do and acting the way society tells them to act, just like a game of Simon Says.
Regulate also features the playful and melodic new song "Welcome To My Playground," and also because the long-awaited Korean version of their Japanese single "
Chain." Better yet: It's all accessible to stream
now.
With "Simon Says," NCT 127 stay true to themselves as artists and entertainers with a wholly original track about the power of individuality. And while the experimental categorize have although to produce a smash hit in their native Korea, they don't seem bothered by it. Case in point, it appears to be positively fueling their creative decisions.
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