Bop Shop: Songs From Lizzo, Everglow, Jamila Woods, And More

Bop Shop: Songs From Lizzo, Everglow, Jamila Woods, And More




The search for the ever-elusive "bop" is hard. Playlists and streaming-service suggestions can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?


Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and could add anything — it's a snapshot of what's on our minds and what sounds good. We'll keep it fresh with the latest music, although expect a number of oldies nevertheless goodies) every once in a while, also. Get ready: The Bop Shop is currently open for business.





  • Shura: "BKLYNLDN"



    Shura's latest single was made for body-rolling – that is, in the event you desire to keep things PG-13. The British synth-pop songstress's first song off her upcoming sophomore album is the overflowing with frustrated passion and lust fueled by a long-distance relationship, featuring a pleading chorus that declares, "This isn't love / This is an emergency." Paired with a semi-NSFW music video inspired by Rodin's classic sculpture 'The Kiss,' “BKLYNLDN” is a clear frontrunner for 2019's sexiest song. —Bob Marshall






  • Bear Hands ft. Ursula Rose: "Blue Lips"



    "Blue Lips" is a sleazy groove with a bridge you can't get out of your head. "Cry, cry, cry, cry, cry, cry," singer Dylan Rau croons, and you're immediately hooked. I'm constantly on the lookout for tunes with unique hooks, and "Blue Lips" delivers them in droves, from the verses tinged with staid cigarette smoke to the slinky strip club beat near the end of the song.


    Although the real highlights are the spoken interludes by Ursula Rose: "I don't visualize how think you could come to me and bitch to me/ Lay out your problems like ancient history / Like I ain't got no other shit to do / I love you baby / Nevertheless my lips are turnin' blue."


    It's so sassy, so indifferent. So raw. It's not even particularly melodical, and although I ensure I sing every word completely While I hear this part come up. It feels like strutting down your own personalized runway and giving someone you can't stand the kiss-off – or maybe even someone you once loved who's taken you for granted for far also long.


    "Someone check the kids, ensure they are still alive," cautions Rau. More like check my pulse, because it helps stop every time I hear this song. —Brittany Vincent






  • Lizzo ft. Missy Elliott: "Tempo"



    there really are two sides to Lizzo. Yes, she's a master of channeling jazz-infused, boisterous bad bitchery on songs like "Good As Hell" and one of this year's best, "Juice," loudly trumpeting her own self-confidence. Although she often flips the same energy into quietly confident rap bops (see: gentlemen, and "Tempo" is simply her best yet: a simmering churn of a tribute to those with curves and minimum BPM requirements. Missy Elliott joins the song's climax in full sex kitten mode — "all the thick ladies down on the flrrrrrrrrr," she purrs — but for all of the power in these two names, the sonic tension in Lizzo's delivery is what makes the song stick. Some days much less is more. —Terron Moore






  • Jamila Woods: "Eartha"



    Eartha Kitt, a lothario of soul music as well as an enthusiastic thinker, looks to the sky in the garden, pink plants beyond her blooming on a tree. "Are you ready to compromise in a relationship?" A voice offscreen asks her. She wrinkles her face repeating the word – it's foreign. "What is compromising – compromising for what?" Her eyes are trained on the voice saying this word. She doesn't let up. "To compromise, for what? What is compromise?" The man reiterates the question and her upset spell is damaged. Her head cocks to the heavens and she roars with laughter. She finally gets it. The question is a joke.


    No one can reconstruct Kitt's prickly voice that sent cold shivers down the neck, yet Jamila Woods damn sure knows how to capture the absurdity of the aforementioned scene from the 1982 documentary All By Myself: An Eartha Kitt Story. Woods' new single "Eartha" is smoother than an egg and brings back that neo-soul nostalgia of the early 2000s. Although it's not a slow groove — it's mid-tempo funk with a creamy chorus and supporting vocals, where Woods equally asserts that compromising in a relationship is bullshit. Woods says more with one stretched out sigh of a word than most singers do with entire verses. Kitt can rest well knowing that someone picked up where she left off. —Trey Alston






  • Everglow: "Bon Bon Chocolat"



    What's the musical equivalent of running a mile at a 6:00 pace? The hook of "Bon Bon Chocolat," the debut single from rookie K-pop girl order Everglow. With a frenetic beat that hits hard, a choice use of Auto-Tune, along with a catchy pre-chorus that stomps and builds to a truly sublime drop, "Bon Bon Chocolat" isn't a song so much as a vibe. The six members of Everglow forgo the popular pretty concept for a modern girl-crush aesthetic, complete with an eye-catching point dance that will absolutely have you dancing along by the end of your first listen. I've already caught myself doing it on my morning commute, and I have no regrets — and neither will you. —Crystal Bell






  • Stella Donnelly: "Tricks"



    During Stella Donnelly's brand new debut album Beware of the Dogs, the Australian singer-songwriter shows off her ability to mix issues like sexual harassment, the gender gap, #MeToo, and more with catchy, upbeat indie pop. And it's this juxtaposition and her vocal delivery on a song like "Tricks," where she speaks out against boys who have heckled her at her shows and the stereotypically macho Australian identity, that makes her message all of the more resonant. Donnelly sounds absolutely gleeful in her putdowns, and it's hard to imagine anyone having a higher end time giving the finger to every man in her life who has wronged her. —Bob Marshall













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