Bop Shop: Songs From Aly & AJ, Joyce Wrice, Serena Ryder, And More

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  Remember Sports: “Materialistic”
  
  
  https://www.Youtube.Com/watch?V=47OFsypbTnw
  
  
  
  On the gently swaying “Materialistic,” beloved Philly bruisers Remember Sports show off another side. Dreamy and forlorn, the Jimmy Eat World-recalling tune leans into songwriter Carmen Perry’s knack for tiny, emotionally eviscerating specifics. In this case, it’s a missing photo, just one in an arsenal of treasure lining their fourth album, Like a Stone, out April 23. —Patrick Hosken
  
  
  
  
  



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  Serena Ryder: “Better Now”
  
  
  https://www.Youtube.Com/watch?V=0VsQ7VPCzHE
  
  
  
  Singer-songwriter Serena Ryder has the voice of a storyteller, and if that doesn’t make sense, give the opening 15 seconds of her new single “Better Now” a listen. Harnessing her warm, raspy vocals and also a muted production that bounces between nation and gospel, Ryder sings with heavy wisdom about finding light by means of the darkness and the sort of growth that only comes with experience. Outspoken about taking care of her mental health, Ryder’s latest album The Art of Falling Apart marks her first record in nearly three years. Thank goodness, because we’ve never needed her brand of “better” so badly. —Carson Mlnarik
  
  
  
  
  



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  Aly & AJ: “Pretty Places”
  
  
  
  
  
  Aly & AJ are hitting the highway, and you’re invited. In this sunshiny bop, the sister act borrows a page from “Drivers License” breakout star Olivia Rodrigo and proposes a road trip to “all the pretty places.” The rose-colored glasses are on, sure, nevertheless next to lilting harmonies and the steady strum of a guitar, they fit in just fine. —Sam Manzella
  
  
  
  
  



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  Joyce Wrice: “Chandler”
  
  
  
  
  
  Three minutes of bliss, the opener on soul singer Joyce Wrice’s latest album Overgrown is luxe and opulent, blooming with widescreen strings and panoply of background voices. It’s a welcome balance to the subterranean, minimal R&B du jour — a fashion Wrice is just as comfortable dipping into later on the album. Yet for “Chandler,” she wants as vibrant a canvas as possible to tell it like it is: “Let's talk about all the things / That females gotta endure just to get some love.” —Patrick Hosken
  
  
  
  
  



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  Madeline the Person: "As a Child"
  
  
  https://www.Youtube.Com/watch?V=0YvNBtoCLbg
  
  
  
  "Hi I'm a person and I like to sing and I wanna have a tea party." That's the TikTok bio for Madeline the Person, a 19-year-old acoustic plucker from Houston. On "As a Child," her delicate debut, she makes good on both, throwing an eye catching bash for one in the Nick Jr.-Style video as she sings about aging — something that will only get more pronounced as her career does. —Patrick Hosken
  
  
  
  
  



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  Ellen Winter: “Mantras”
  
  
  https://www.Youtube.Com/watch?V=zxRIJOyT4gw
  
  
  
  Ditch the self-help books and give this song a spin next time you require some unabashed confidence. Brooklyn performer Ellen Winter bottles infectious enthusiasm in three and also 1/2 minutes or far less, building a pump-up anthem driven by snaps, claps, and thumping piano chords. The lyrics spill out like a stream of consciousness while steering clear of clichés. You feel the weight of her words as she recounts wasting “days, months, years letting insecurities pair up with fears,” though her inner cyclical monologue of “confidence is crucial” feels airy. Still, it’s the chorus that's truly transcendent, culminating in an echoing assertion that she plans to “leave the bar raised high.” With a song this good, she does just that. —Carson Mlnarik
  
  
  
  
  



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  Lightning Bug: "The Right Thing Is Hard To Do"
  
  
  https://www.Youtube.Com/watch?V=r_06I-c73_8
  
  
  
  a little bit Mazzy Star and little lying in the grass looking at the stars, "The Right Thing Is Hard To Do" is an enthralling entry in the Lightning Bug saga. Because the New York musical group glide toward their new album A Color of the Sky, out June 25, they're melting hearts with vocalist Audrey Kang's spectral melodies delivered in a galaxy of soft, wide-open noise. Intoxicating textures, folk foundation, can't lose. —Patrick Hosken