Bop Shop: Quarantine-Ready Songs From Lady Gaga, The Wonders, Karol G, And More

Bop Shop: Quarantine-Ready Songs From Lady Gaga, The Wonders, Karol G, And More




The search for the ever-elusive "bop" is challenging. Playlists and streaming-service suggestions can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?


Enter Bop Shop, a hand-picked selection of songs from the MTV News team. This weekly collection doesn't discriminate by genre and could include anything — it's a snapshot of what's on our minds and what sounds good, especially right now that we're all staying residence for the foreseeable future. We'll keep it fresh with the latest music, yet expect a number of oldies nevertheless goodies) every once in a while, also. Get ready: The Bop Shop is currently open for business.





  • Karol G & Anuel AA: “Follow”



    We all have that Instagram crush that we admire from afar because we feel that they’re inaccessible. Maybe they have a partner that they take robed hotel selfies with, or their follower count is larger than some smaller states — either way, some days you have got to throw wariness to the wind and go soon after what feels right in your heart. Karol G and Anuel AA, reggaeton’s hottest couple, have released a new collab called “Follow” that speaks to this feeling. This blushing, bouncy invitation for romance questions once it’s right to shoot your shot. With an accompanying video that insinuates the pair having a good time in a cozy home to pass these socially isolated times, you can’t help yet wonder if this track is inspired by their own relationship. —Trey Alston






  • Yaeji: "What We Drew 우리가 그려왔던"



    Yesterday, chameleonic music maker Yaeji released her debut full-length project, What We Drew 우리가 그려왔던, yet it's hardly an arrival. She's been around for the past five years, conjuring trap and home and downbeat electronic, not to say shrouding Drake songs in clouds of mist. Her latest is anchored by its title track, a wonderfully meditative ode to companions and family member who support you and walk beside you in both good times and bad. Once they might not directly have the ability to do that physically at the moment, they're not going anywhere, and there's habitually FaceTime. (Or you can befriend a magic onion, as Yaeji does in the song's great video.) —Patrick Hosken






  • Dua Lipa: “Break My Heart”



    If you’re looking to break up the monotony of your days in self-isolation with a brand new pop bop, Dua Lipa’s got you covered. Yes, “Break My Heart” is about being stuck in a seemingly endless cycle of heartbreak, although who cares? The song’s groovy bassline and bouncy beat will only bring more joy and energy to your days at residence. Plus, the chorus carries a revelation that’s pertinent to us all as we continue to practice social distancing: “I should've stayed at home,” she sings. And though she was referring to although another relationship gone wrong, it’s still excellent suggestions. Right now more than ever. —Jordyn Tilchen






  • Amber Mark: “Heart-Shaped Box” (Nirvana cover)



    Amber Mark took Nirvana’s “Heart-Shaped Box” and made it distinctly her own. This soulful take’s cooing voices and Mark’s own deep timbre ride the booming synth begin right up to completion. Its video is a reminder that, amidst this social isolation due to COVID-19, we can still have fun. Wearing a mask, she dances sensually around her residence, safe and sexy at the same time. —Trey Alston






  • Lady Gaga: “G.U.Y.”



    The measure of a good pop song is the sort of world it may take its listener to. Is there any better way to practice escapism than with a bop from Gaga’s most controversial album, Artpop? “G.U.Y.” Is nothing short of an electro-pop power bottom anthem. With nods to Greek gods plus a claim that the retweet symbol looks like everyone’s preference numbered sexual position, it’s impossible to not feel sexy and empowered listening to this. Not even 15 seconds in, “G.U.Y.” Will have you strutting up and down your hallway like it’s Style Week. Try not to stomp also hard — don’t want any complaints from your neighbors! —Dan McKenna






  • The Cramps: “New sort of Kick”



    "I could better myself / If I might only find some new sort of kick / Something I ain't had / Some new sort of buzz / I wanna go hog furious These lyrics essentially summarize my thoughts upon waking day-to-day I've spent in isolation from the outdoors world. I'm looking for something new and exhilarating to happen, however I know there isn't much on the way, especially whenever I'm relegated to the products in my residence while trying desperately to adhere to my everyday schedule. Like Lux Interior of the legendary Cramps, I also am looking for a new sort of kick, or at least something to electrify me enough up until the scenario the world is facing currently has been at least somewhat mitigated. The silver lining? Anyone reading this should have the time to sift Via Cramps's discography, and I rather propose doing so. —Brittany Vincent






  • Cleo Sol: "Her Light"



    Give me a more poignant beginning line than this: "So several things are changing / I'm in a global that's breaking my heart." Bleak as that may sound, "Her Light" — the closing track from Cleo Sol's new album Rose in the Dark — is a twinkling, vintage-sounding slice of R&B that'll fill the Solange-sized hole in your heart. The British-Jamaican singer rides a soulful groove as she finds the silver lining in her changing universe: "Without the night, the sun couldn't show you her light, her light, her light, her light." Sonically, it's timeless; emotionally, it's as timely as they come. —Madeline Roth






  • Chai: "No More Cake"



    Japanese quartet Chai’s latest single is dripping with attitude like frosting melting off a cake — quite literally, in the event you watch the video. The song may be about how “Wearing makeup shouldn’t be based on the orders of someone else,” according to a statement from the categorize, nevertheless the band’s high-pitched singing over a heavy industrial beat will leave you feeling good about feeling bad, which is pretty much all anyone can ask for now. —Bob Marshall






  • Steve Burns: "Mighty Little Man"



    Here's a true story: Right after he vacated Blue's Clues hosting duties in 2002, Steve Burns made an album with Flaming Lips virtuoso Steven Drozd and expansive super-producer David Fridmann in a snowy rural town in Western New York. That album, Songs for Dustmites, absolutely rules, and its opener, "Mighty Little Man" is one to reach for as soon as you require a little bit triumph in your life. "Nobody else is stronger than I am," Burns sings. "Yesterday I moved a mountain." The partnership continued — in 2017, Steve and Steven released an album of all children's music made for exultation in the minor victories of potty training and learning new things. However there’s nothing quite like the fierce courage of "Mighty Little Man,” heightened by Drozd’s colossal drum explosions, in an ever-darkening time. —Patrick Hosken






  • The Wonders: "That Thing You Do!"



    Adam Schlesinger, who died from coronavirus complications earlier this week, wrote a ton of memorable power-pop anthems with his musical group Fountains of Wayne and for other bands like The Click Five and the Jonas Brothers over his all-too-brief life. However while the thought made me tear up even more at the news of his passing, I determined to re-watch the 1996 Tom Hanks film That Thing You Do! on Wednesday night in Schlesinger’s memory.


    Among Adam’s musical contributions to the movie is the title track that turns a fictional sort of nobodies from Erie, Pennsylvania into America’s hottest boy musical group, and what a challenge it must have been to write! How do you craft a song that sounds like it was realistically written in the mid-'60s while also making modern crowds watching the movie wish to hear it four or five times over the course of the film’s 108-minute runtime? Yet Schlesinger did just that, building a song that actually charted three decades right after it fictionally was supposed to, and with good reason.


    my main go to segment of it, outdoor of the loud and “too fast” drum intro that makes all of the plaid and poodle skirt-wearing teens hit the dance floor, is the way the chorus and bridge lean minor, a categorize kind of homage to the lovelorn doo-wop that no doubt influenced Schlesinger’s lyrics. (“Well I and attempt to forget you girl / Although it’s just so hard to do.”) He knew that a memorable chorus doesn’t have to be major or minor all of the way through, and once the vocalist laments, as in Fountains of Wayne’s “Stacy’s Mom” (“Stacy can’t you visualize? You’re just not the girl for me”), it’s properly fine for a pop banger to sound a little bit sad. —Bob Marshall













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