Aespa's Savage Science Fiction

Aespa's Savage Science Fiction

By Regina Kim

At first glance, the futuristic music video for the South Korean foursome Aespa’s (styled all lowercase) breakout single “Black Mamba” might not directly seem that different from other K-pop visuals, with dynamic shots of explosive choreography and brightly colored costumes set against even brighter backgrounds. However about two-and-a-half minutes in, something shifts. As a girl stares wistfully at her reflection in a subway window, the reflection gazing back isn't quite human. With cartoon eyes and long purple hair, she's an animated doppelgänger, stretching her hand toward her human counterpart.

With the release of this futuristic clip in November 2020, the girl order broke the record for the fastest debut track by any K-pop outfit to surpass 100 million views on YouTube, a feat that was achieved in a mere 51 days. It was an amazing milestone for the “monster rookie group” that had only damaged onto the scene one month prior in a series of tantalizing teasers. Aespa followed up this debut song with the releases of the heartwarming ballad “Forever,” the ultra-catchy hip-hop dance tune “Next Level,” and earlier this week, the mini-album, Savage. Nevertheless “Black Mamba” also had far-reaching repercussions for the industry: the surreal music video, with its hybrid visuals, laid the structure for a new form of pop-music storytelling, one where the line between reality and science fiction is blurry at best.

Comprised of Giselle, Winter, Karina, and Ningning, Aespa is the initial sort to be presented as segment of the SM Culture Universe (SMCU), a fictional realm created in October 2020 by the organization SM Entertainment, which also symbolizes top bands like EXO and Red Velvet, as a way to connect its artists under a unified storyline. The ambitious initiative is akin to the Marvel Cinematic Universe, which links the various superheroes and villains that fall under its umbrella, and Aespa is at the forefront of this effort. SM chairman Soo-man Lee said the order will “reflect a future world centered on celebrities and avatars” and define a “completely new and innovative categorize that transcends the limitations between the real world and the virtual world.”

because the vanguard of SM Entertainment’s fancy metaverse, Aespa takes storytelling to the next level with its novel AI concept. The band’s name is acquired from a mixture of the words “avatar,” “experience,” and “aspect.” The opening two refer to “finding another self and experiencing a new world,” Giselle tells MTV News, while the latter symbolizes the duality of real and virtual inherent to the group’s mythology. Each member has an alter-ego called “ae” (pronounced like “eye”), lifelike avatars that exist in a virtual realm called “Flat” and connect with their idol opposites through a portal referred to because the “Port of Soul.” Nevertheless each ae is designed to reflect an audience member — with similar facial features and also a corresponding cyberpunk ensemble — these are separate entities with their own free will. “SM already had these elements from the begin, however we are the initial ones actually have the ability to show our avatar members,” Giselle explains.

It’s all quite heady, and although Aespa’s debut mini-album Savage adds a sonic backdrop that exists outdoors this believed world — mixing dance and pop with elements of residence, trap, rap, and other genres — while also giving listeners glimpses into an overarching fable. The album’s initial track “Aenergy,” as an example, introduces the members and their unique powers as they set out to save the avatars from Black Mamba, the giant, serpent-like monster who appears in the group’s debut music video. In the SMCU lore, Black Mamba resides in a lawless, limitless space in back of worlds called “Kwangya,” which translates to “wilderness” in English. Kwangya has also been referenced in the music videos of other SM artists, as in EXO’s “Don’t Fight the Feeling,” where one member, Kai, mentions traversing it in a spaceship.

“I think the hugest excellent that sets us apart is the fact that all of our songs are linked with each other, so it’s like watching a film series,” Karina says. “The song ‘Savage’ has our whole story about our fight with Black Mamba,” Giselle adds. In the visual for the clanging hyperpop-tinged title track, the women team up to strike down a reptile with translucent scales before breaking it down alongside their ae friends.

Other songs, although, were created simply to communicate messages of hope and encouragement to Aespa’s fans, lovingly referred to as “My,” and who Karina says are “like my best friends.” There’s “I’ll Make You Cry,” a fierce revenge anthem for betrayed lovers, and the bubbly “Yeppi Yeppi,” a dance cut about embracing one’s own aesthetics. “When we recorded the track ‘Yeppi Yeppi,’ we put a lot of energy into it, and I think it resulted in a very fun and upbeat song,” Karina says. “I hope that listeners will find comfort in our music and that our songs will cheer them up any time they’re going through a hard time.” With a smile, Ningning adds, “And in the event you look closely at the lyrics, you’ll find a story there, too.”

The making of Savage also marked opening time all of the Aespa females recorded with each other in a studio, a process that turned out to be a lot of fun for the members, who are all close companions. “We had a wonderful time recording the album, and the four of us got to try genres that we didn’t do before,” Ningning says. In the workroom, they were able to totally harness their unique synergy as an audience — a factor Winter says has greatly contributed to their beginning success — which is apparent in their smooth vocal harmonies and mesmerizing choreography. “We have no secrets, and we share everything with each other,” Karina notes. “So we’re a lot more like family member than people might think.”

While other industries have turned holograms into pop stars and avatars into social media influencers, Aespa is the initial K-pop act to include both human and AI members. The group’s concerts often feature the quartet interacting with their digital counterparts onstage. In their debut performance of “Black Mamba,” the ladies and the ae can be seen observing each other through a reflect, and throughout one rendition of “Next Level,” they even trade places for a brief moment. With each other, the order heralds the starting of what appears to be a virtual age for K-pop and possibly maybe the next chapter in musical storytelling worldwide. Lee once declared that he was “one step closer” to fulfilling his vision for “the entertainment world of the future.” As Aespa keeps it up and continues to open our eyes to the opportunities that exist at the intersection of music and technology, that day looks more and more bright.

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